Yves Tanguy (1900–1955) was one of the first generation of painters associated with the group of literati around André Breton after the publication of the First Manifesto of Surrealism (1924). Tanguy, an autodidact, used a singular language of forms – organically curved, harshly constricting or softly expanding abstract bodies in the midst of a seemingly endless world – that anticipates the pliant forms of Salavador Dalí, while recalling the abstract reliefs of Hans Arp and foreshadowing the amorphous figurations of WOLS.
At the centre of the exhibition are the artist’s little-known prints. Although small in number, they display a surprising variety. Based on the various chapters of the artist’s life and through individual works of art, the exhibition maps out the artist’s oeuvre, highlighting peculiar aspects of Surrealism that connect Tanguy’s work to that of his contemporaries.
Yves Tanguy, Je suis venu comme j’avais promis, Adieu (I came as a promised, goodbye) (detail), 1926, oil on canvas and collage © VG Bild-Kunst Bonn, 2017 / Staatliche Museen zu Berlin, Nationalgalerie, Sammlung Scharf-Gerstenberg / Roman März
Yves Tanguy, Illustration für „Le grand passage“ von Jean Laude, Paris 1954. Wolfgang Wittrock, Berlin © VG Bild-Kunst, Bonn 2017
Im Reich der Misteldruiden. Das grafische Werk von Yves Tanguy, Ausstellungsansicht, 2017 © Staatliche Museen zu Berlin / David von Becker
Start date: December 8, 2017
End date: April 8, 2018